Hugonnier Routens Randonneuse c.1948 – naked!

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I try to resist buying bicycles which are not in original finish because their treatment poses all sorts of questions and dilemmas. As regular readers will know, I am not keen on ‘restoring’ bicycles. I’ve been looking for a Routens for a few years now, but the top models rarely come up for sale. By ‘top model’ I mean that it should be constructed from lightweight tubing, have the typical Routens fork crown, the Routens cable operated front derailleur, and front and rear racks. It should also be fitted with all the best alloy components of the time.

This tourer from the ‘Golden Age’ fits the bill in all respects except for the lack of original finish. The seller described the bike as being in original paint, but it clearly wasn’t, and I based my bid on that being the case. The builder, Jo Routens, was a Grenoble based constructeur. He was a very fine rider and won a number of competitive randonneur events including the Paris-Brest-Paris. He set up shop with his business partner Hugonnier in 1945. The partnership was dissolved in 1952 after which Routens continued under his own name. The Routens company still exists in Gières, on the outskirts of Grenoble.

The design of his bicycles was clearly influenced by the designs of the Lyonnais builders Reyhand and Charrel. Construction is nearly always lugless, with the top of the seat stays joining the top tube in front of the seat tube. Rear brake cable routing through the seat tube is another Routens speciality.

I tested a few parts of the frame and found that there was no original paint under the nasty respray. I then stripped the frame using a citrus based paint stripper which is very pleasant to use, since you don’t need to use gloves, and the residues can be disposed of without any toxicity. Once the paint was softened, I used steel wool and automotive finishing abrasive pads to remove all remaining traces. The mudguards had also been painted with blocks of colour and here I discovered the original finish beneath the new paint. It was chocolate brown ‘Lyonnais’, with gold lining. The bicycle is almost identical in specification to this one on the Tonton forum, and it looks like the finish was also very similar, including the unusual feature of a painted front derailleur.

The frame (Number HR786 – 60cm) was in excellent condition under the paint, with no rust. The main triangle is in Dur-fort Series C, which was their extra light tubing, with Fobur fork blades, seat and chain stays. All the tubes are clearly stamped with the names. Interestingly the main triangle is fusion welded in the manner of Reyhand, not fillet brazed, except for the characteristic butted seat to top tube joint, which is bronze brazed, as are all the other joints. The frame is very light indeed, comparable with the lightest Herse frames of the period. Very unusually it has the dynamo on the right side – why?

The problem is what to do with it now? Repainting in original colour without transfers will look strange, I think. Trying to reproduce the transfers will be difficult to achieve, and they are unlikely to look much like the originals. The bike on Tonton has beautiful original transfers not only for Hugonnier Routens, but also for the Dur-Fort Series C tubing. I need to think……

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Fittings include Maxiplume cottered aluminium cranks with Cyclo Rosa rings, Cyclo 4 speed rear derailleur, Routens cable operated front derailleur, Lewis brakes and levers (note that braze-on’s are very different from Mafac) Maxi hubs laced to Mavic rims, DFV stem with drop bars which are turned around and have had their drops cut off!

The Anfield Bicycle Club and D.R. Fell

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I recently purchased a silver button badge with the name ANFIELD on it, between stripes of blue and black enamel, with a knurled bezel. It is hallmarked 1909 and on the reverse is engraved D.R.Fell Anfield BC Liverpool. I recognized the badge as being that of one of the earliest and most famous of all the bicycle clubs, and the name D.R.Fell rang a bell with me. I reached for my copy of The Black Anfielders published in 1956, being the history of the club from 1879, when it was founded. This quickly established that Fell was President from 1913 to 1920. Clearly he was an influential member of the club, but more important to me was his earlier history.

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The Anfield Bicycle Club (ABC) was quickly established as having a reputation for hard riding and record breaking, particularly over long distances. They were known as ‘The Black Anfielders’ because in the early days they adopted an all black uniform even down to the braid on their hats. My all time cycling hero G.P.Mills was one of its members and as a youth of 17 in 1884, began establishing his reputation in the club and beyond, culminating in his many Land’s End to John o’Groats records over the period 1886 -1893, and his win in the Bordeaux-Paris road race of 1891. In 1884 a 24 hour ride was established as a club event, and later came regular 12 hour rides as well as 50 and 100 mile events.

At twelve minutes past midnight on Good Friday the 12th April 1885, D.R.Fell set off from Edge Lane, Liverpool in the company of G.B.Mercer, Lawrence Fletcher and a number of other notable riders, with the intention of achieving the gold star standard of the club, set at 200 miles in 24 hours. Fell was riding a Hillman, Herbert and Cooper Ordinary with solid tyres and ball bearing hubs. Most of the group decided on a different route for their attempts and headed toward Bettws-y-coed. Fell and Mercer headed towards Coventry, where they parted company, leaving Fell to press on towards London. The book provides Fell’s diary of the ride and details his progress and various stops for refreshments and rest. At 03.45 he got off to ‘trim lamp and eat some sandwiches (15 mins)’. Arriving at Stone at 06.40 he went in search of breakfast: ‘Tried to get something to eat at hotel, but servants not up so would not wait. (10 mins.) Three miles past Stone had some fresh eggs and milk at a farm (20 mins.)’ By 12.55 he had covered 114 1/4 miles and arrived at Coventry, where he had a dinner of soup and a chop and a short rest totalling 60 minutes. Tea and four raw eggs were consumed near Towcester, and at Stoney Stratford he stopped to light his oil lamp just before seven in the evening. At Dunstable he had covered 172 miles and had ‘Supper (three raw eggs, coffee and a little bread) (25 mins.)’ Passing through St.Albans and Barnet he arrived at Highgate Archway at 12.10.

He had covered 210 miles in 24 hours, whilst the actual riding time was 20 hours 10 minutes. The weather was recorded as being into a strong headwind, and we should remember the fact that he was on solid tyres, riding on primitive roads, and unable to escape the headwind being perched high up on an Ordinary. The ride could not be considered an official record because Liverpool to London had not yet been recognized by the Road Records Association, but it was always considered as such and of being one of the classic rides of the period, and indeed it helped establish the route as a record in 1890. In 1913, when Fell was elected President of the ABC, Cycling magazine published an article about this historic ride, with a wonderful drawing by George Moore, of Fell arriving at Archway. The text emphasized his ‘indomitable pluck’.

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In the ABC archive is a photograph of an Ordinary which purports to be that ridden by Fell on the Liverpool-London ride. I’m a little doubtful that this was the bike used since it appears to a machine already a few years old at the time of the ride, with straight handlebars, and solid forks front and rear. It is more likely that the machine was similar to the one being ridden by him in the photograph from 1927 captioned ‘D.R.Fell in old age’, and also seen in the George Moore drawing above.

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Prior to 1891 club members wore an Anfield cap badge (visible in the club photo above) which had the letters ABC intertwined in a monogram. The club has a gold example, which some modern copies were made from, but does anyone out there have an original silver one?

In 1891 the ABC adopted the small button badge seen above. It was very understated, and the subtle knurled edge signifies the wearer as a record holder. Apparently Fell didn’t think he should wear one as the record had not been endorsed by the R.R.A., but the club insisted he should do so. The 1909 hallmark on the badge suggests that it is a replacement, or duplicate. Perhaps Fell lost the original one, or had a spare. In any event, in later photographs of the man such as this one taken in 1913, we can see him wearing this badge in his lapel buttonhole.

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It is very rare to find an object such as this badge, whose history can be traced with some certainty, and which can recount such an extraordinary story.

The Anfield Bicycle Club is quite unique in having a most extensive archive dating back to the very early days. This consists of numerous photographs, circulars and other ephemera. Following the award of Lottery funding, the club is in the process of scanning the archive to make it available online. Already there are some wonderful archive images available, a number of which are reproduced here. The project is titled ‘Amazing Anfielders’ and the story of just one of these remarkable club members above serves to emphasize the importance and significant place in history of this great club, which is still very active today, 135 years after being founded.

Vintage Bicycle Blog gratefully acknowledges the help of David Birchall and the archive of the Anfield Bicycle Club in the preparation of this article. Photographic images of Fell and the club are copyright of the Anfield Bicycle Club and reproduced with permission. Further ABC archive images can be found here.

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Alex Singer Sportif – Chrome c.1980

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Constructed around 1980 by Ernest Csuka in Reynolds 531 tubing, this is a fairly minimal sporting machine for fast riding. It is light, and equipped with the finest French components of the period. The Tevano triple chainset, made by TA, is basically a copy of its Campagnolo contemporary, with some arguing that it is even nicer than the Italian piece of kit! Gearing is the excellent Simplex SLJ5500 group which functions smoothly and quietly. Braking is via Mafac Competition calipers fitted with new Koolstop blocks which are indistinguishable from the original rubbers in all but their considerably improved braking efficiency. Rims are Super Champion laced to Maillard hubs. The fittings are completed by Philippe bars and stem and a Brooks Professional saddle. There are the usual Singer refinements such as the custom made front brake cable hanger, chainstay protector loop, and brazed on rear cable hanger. Although the machine was filthy when I bought it, the chrome has cleaned up largely like new. 0000 steel wool was used to remove the worst grime and finally the frame was polished with Solvol Autosol. The bike had clearly seen little use.

Last week it was well tested on a ride in the Surrey Hills, including an ascent of Box Hill, as well as some steep and fast descending. The great thing about this machine is that it does everything well. The bike steers, brakes and changes gear without drama, and it inspires confidence. It compares very favourably with the very best Italian lightweights of the period, and the top of the range French components also match their Campagnolo cousins in pretty much every respect.

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Hillman, Herbert and Cooper ‘Kangaroo’ No.1 Roadster c.1885/6 – Part 3 – Complete and ready to ride!

The Kangaroo is now finished and has completed its shake-down ride. New grey tyres were fitted and some small engineering jobs were necessary, including making a new foot rest where the original had been broken off. A couple of incorrect nuts were re-made to correct pattern. Quite a lot of work was required in carefully straightening the chain guards, and the trouser guard. All ball bearings were replaced, and reproduction pedal rubbers fitted. I have kept the original saddle as it is, to be retained with the machine, whilst for riding I have fitted a new pan saddle almost identical in design to the Brooks original. The pan was beautifully made by Tony Huntington. The white painted section on the backbone of the frame was retained. This was clearly added during the last War, suggesting that rather amusingly the bike was used on occasions during that period! (A white painted section was required by law on the rear of bicycles used during war-time blackouts in the UK)

The Kangaroo was an attempt to make the Ordinary bicycle safer, but it was a flawed design. Although you sit lower than on an Ordinary, it’s still possible to do a ‘header’ and the additional weight of the chainwheels and chains are noticeable. Worst of all is the vertical drive train. As Archibald Sharp noted in ‘Bicycles and Tricycles’ (1896) ‘In pressing the pedals downwards the front side of the chain is tight, but when the pedal is ascending, since it cannot be lifted direct by the rider, it is pulled up by the chain, the rear side of which gets tightened. This reversal, taking place twice every revolution throws a serious jar on the gear. This defect cannot,..be overcome by skilful pedalling.’ The chains are poorly designed, having solid sections in contact with the chainwheels, instead of rollers, and when this is combined with the design defect it leads to premature wear and stretching of the chains. Slack in the chains makes the ‘jar’ worse, of course. The chains can only be adjusted by the same amount each side, otherwise the wheel would be thrown out of line in the fork.

Of course the advent of the rear-drive Safety Bicycle in 1885, caused the Kangaroo to decline in popularity, having enjoyed a brief success.

Despite the shortcomings of the design it is a fun machine to ride. It may not be much safer, but it feels like it is. It is stable, with the relatively large rear wheel, and it bowls along very nicely. The beautifully made saddle spring gives good comfort, and I was surprised to find that it climbed hills well, despite the jarring of the chains being more pronounced under load. It’s interesting to compare it to the Rover which rendered it obsolete. The Rover is undoubtedly a finer riding machine, but the Kangaroo has a quirky charm about it.

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George Moore’s drawing above, from ‘Cycling’ magazine of 1885, shows a race between the Kangaroo and the Rover. In September 1884 George Smith broke the 100 mile record on a Kangaroo, taking 7 hours 11 minutes and 10 seconds to cover the distance. Almost exactly a year later he broke the same record on a Rover Safety Bicycle by just over 6 minutes. The drawing in fact represents an imaginary race between the machines, since the rider of both is the same man, George Smith. Being lucky enough to own examples of both machines, I intend to re-create this drawing in a photograph. First I need to find another rider that looks like me…. Watch this space!

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Hillman, Herbert and Cooper ‘Kangaroo’ No.1 Roadster c.1885/6 – Part 2 – Preservation process

The first step in the preservation process was to photograph the bicycle many times in great detail from all angles. This was to ensure everything was replaced in the correct position. The bike was then very carefully disassembled and all the parts placed in plastic bags, labelled as to their location, left or right side etc.. I also use a notebook to record details of each part, which way round bolts were fitted, assembly order, washer locations etc.., making drawings where necessary.

As with most top quality machines, such as my Rover, virtually all the parts were stamped with the frame number (23467) Even the chains had the frame number stamped on the ends of the rivets! Presumably each machine was assembled and components adjusted for best fit, before the stamping. The various parts then went for nickel plating and enameling, and were then re-united for final assembly.

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The corrosion on the parts of the machine was not at all bad, so I decided to make the cleaning process quite minimal, removing dirt and loose surface rust, whilst retaining patina by light cleaning only. The bearings were soaked in cellulose thinners overnight to remove the encrusted hard grease. The parts cleaning was largely done manually using paraffin, brass brushes, and three grades of steel wool, finishing by polishing with 0000 grade. Doing this by hand takes a long time, and results in blisters, but it is the only way of carefully controlling the amount of surface removal, to retain the patina.

Turning to the enameled parts, I masked the area of the transfer then cleaned the frame with paraffin. 0000 steel wool was used on stubborn dirt, as this does not scratch the enamel. Following cleaning, the enamel was then polished with Renaissance Pre-Lim to remove any remaining surface grime and to lightly revive the enamel. This was also used in the area around the transfer, very carefully and lightly! Finally all parts of the machine were polished with Renaissance Wax. Several coats were applied to protect the surfaces.

Here are some ‘before and after’ photographs:

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The ball bearings in the main bearings are in two rows, fitted in brass cages. All ball bearings were replaced. As you can see, bearing adjustment is a bit primitive simply relying on the movement of the lower section of the bearing housing, locked in place by a set-screw.

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The Singer pedals had just two original rubbers remaining. Reproduction rubbers are available for these pedals, from Doug Pinkerton, although they are not quite accurate and are very difficult to fit!

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The rear step is a beautiful thing!

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The beautiful etched Hillman, Herbert and Cooper name and ‘Kangaroo Patent’ was revealed on the seat spring. This was completely invisible before cleaning.

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Remains of the maker’s transfer on the backbone, before and after cleaning and waxing. A very rare survivor.

I didn’t want to radically alter the appearance of the bike, as it was so original, and I was very satisfied with the result of the cleaning and preservation. The Kangaroo will look better once it has been used a bit, but is now properly protected as it embarks on the next 130 years of its life!

The next post will be of the machine in its completed state.

Hillman, Herbert and Cooper ‘Kangaroo’ No.1 Roadster c.1885/6 – Part 1

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The Coventry based firm of Hillman, Herbert and Cooper introduced the ‘Kangaroo’ patent bicycle in 1884. Although chain drive had been experimented with before on bicycles and tricycles, this was the first bicycle of this pattern, with a much smaller front wheel than the ordinary bicycle, at just 36 inches, geared up to 54 inches by way of the chains and chainwheels on each side of the machine. The rider was thus considerably closer to the ground, the centre of gravity was lower and biased a little towards the rear, and therefore the machine was (theoretically) safer. The Kangaroo was one of the first bicycles referred to as a ‘safety bicycle’, and was also known as a dwarf safety due to its diminutive size.

The design was widely copied by other manufacturers such as Rudge and Coventry Machinists, but as Hillman, Herbert and Cooper had patented the chain adjustment method of sliding the upper chainwheel bracket up the fork, the others had to come up with different methods of taking up chain slack, with varying success. Other gear sizes were available to order, and the front wheel was also available in 34, 35 and 38 inch diameters. The wheel/gear size is stamped on top of the steering head… 36=54 in the case of this machine.

A lightweight machine was also available, the No.2 which the 1886 catalogue stated was suitable for ‘racing or Ordinary Riding on very good roads’. This version had no step, chain guards or footrests, and narrower tyres. The design of the Kangaroo was somewhat flawed (more of that later!) and the arrival of the Rover safety bicycle in 1885 led to an early demise, although it was still in the H.H. and C. catalogue in 1888. In the first year or two of production, however, bicycles of this type gained considerable popularity.

This particular machine was purchased in 1885/6 by the proprietor of a bicycle shop, G.F.Nash at 155 Goldhawk Road in West London, and has been in the same family from then until I acquired it recently. It is almost totally original, except for the tyres and the pedals, which are Singer items. It is perfectly possible that the owner, having a bike shop, decided to change the pedals in period to Singer ones, as they are very handsome and comfortable. Although the nickel plating to the bright parts has largely gone, the enamel is very well preserved and the backbone transfer is largely preserved.

In the next few posts I will look at the preservation of this remarkable bicycle, an investigation of some of the failings of the design, and some riding impressions.

There is a very comprehensive article about the the history of the Kangaroo here.

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Lea and Francis Light Roadster c.1903/4 – A study in rust

Sometimes a bicycle is useful for study purposes and little else, being so badly rusted as to be beyond use. This completely original Lea and Francis Light Roadster from 1903/4 is one such example. Despite being very distressed it still retains half of its chain case celluloid, and the puncture repair kit concealed in the handlebar grip. The illustrations below are from the 1904 catalogue, where it was priced at £25 10s. It was almost certainly the most expensive bicycle available at that time. For instance, a Centaur Featherweight was priced at under £20 that year, and a Dursley Pedersen about £17. Note the lovely scalloped cranks and the beautiful concealed roller brake levers. You can see my completely original but rather better preserved 1908 Lea and Francis here. Before you say that this this machine doesn’t look THAT bad, the rust around the bottom bracket is very serious indeed and would affect the structural integrity of the bike. Pity… but its still a thing of beauty!

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